The series «Cell« draws primary inspiration from the underwater world, where creatures appear suspended, weightless, and undefined. Much like these aquatic forms, my work embodies freedom, innocence, and primitivism, embracing an organic release that connects deeply to the purity of nature.
The fragmented shapes within the composition are organic and fluid, curved, bent, and alive. I am particularly drawn to curved forms because they evoke a sense of motion and transformation, reflecting a constant state of flow. These dynamic shapes seem capable of shifting into something entirely new, embodying tension and serenity, much like the underwater world. They can feel congested or tranquil, mirroring the complexity and rhythms of life beneath the surface. 

Ancient portraits are embedded within the intricate layers, barely visible yet present. These faces reference history and the passage of time, suggesting something fossilized, unearthed from a distant past. They evoke a sense of timelessness, as though they are echoes of an ancient, organic world. I aspire for my work to feel like a fossil, a preserved yet living artifact, speaking to the viewer with whispers of history and transformation. 

The series captures the dynamic interplay of life beneath the surface, using layers and fragments to evoke the interconnectedness of the aquatic ecosystem. By merging fluid, organic forms with subtle historical elements, «Cell« creates a space where nature’s complexity, transformation, and timeless essence converge.