In the series showcased at my solo exhibition, I aimed to portray the harmony between
humans and nature, particularly emphasizing the interconnectedness with flowers. The imagery extends beyond mere forms and colors, suggesting a symbiotic relationship in which humans and nature complement each other.
Through the lens of improvisation, I explored the idea of transcending conventional flower shapes, allowing for a deeper connection. The cohesion and continuity of nature and its components have always fascinated me, inspiring me to delve into more expansive works on
canvases. The exploration of the interplay between humans and the natural world is a recurring theme that sparks my ongoing interest in capturing the inherent connection and unity within the intricate tapestry of nature and its various elements. 

Ancient portraits are embedded within the intricate layers, barely visible yet present. These faces reference history and the passage of time, suggesting something fossilized, unearthed from a distant past. They evoke a sense of timelessness, as though they are echoes of an ancient, organic world. I aspire for my work to feel like a fossil, a preserved yet living artifact, speaking to the viewer with whispers of history and transformation. 

The series captures the dynamic interplay of life beneath the surface, using layers and fragments to evoke the interconnectedness of the aquatic ecosystem. By merging fluid, organic forms with subtle historical elements, «Cell« creates a space where nature’s complexity, transformation, and timeless essence converge.